Moment2Moment Reaktion #1 (featuring Maya Hartglass)

Moment2Moment Reaktion #1 (featuring Maya Hartglass)

Barry's Projects, Blog
My amazing daughter Maya is currently in her second year at Boston Conservatory at Berklee studying Viola Performance.  When she came home for Thanksgiving break, she mentioned the Improvisation Workshop class she's been taking this semester.  This inspired me to play something with her.  I got my soprano sax out and we started improvising together in front of Noah in the living room.  I was so impressed with how great she was playing that I decided we should make some recordings of improvised music.  Among other things, I thought it would be interesting to have her play along with a bunch of Reaktor sound generators and synthesizers.  I went through my collection and settled on seven experimental sound generators (that randomly 'improvise' on their own) from the Reaktor User Library…
Read More
Akkording To Maya

Akkording To Maya

Barry's Projects, Blog
A few years ago, when I first started exploring the endless possibilities of Reaktor, I went through all of the many included ensembles in the Reaktor Factory Library: Effects, Grooveboxes, Samplers, Sequenced Synthesizers, Sound Generators and Synthesizers.  When I first played around with Akkord, one of the Sequenced Synthesizers, I imagined one day composing a piece for my talented daughter Maya to play called “Akkording To Maya” for Akkord and Viola.  For Maya’s 16th birthday (6/13/21), I finally got around to doing it.Since Akkord has a unique sequencer that plays chords, I sent Maya a list of almost every possible chord in every key and asked her to choose 16 of them, no matter which ones.  I assembled a musical form using the chords that Maya chose in the order that…
Read More
“Meditation on Roads Not Taken” by Audible Abstraction

“Meditation on Roads Not Taken” by Audible Abstraction

Barry's Projects, Blog
During the Fall 2017 semester at Hostos Community College, I was grading Exercise 2 (E2), a recording and editing assignment in Introduction to Recording Techniques (DM106).  For this assignment, students were asked to choose a page or two from the syllabus, a technical manual, or a poem and record themselves or someone else reading the text, and then edit any reading errors.  It’s always interesting to see and hear what students choose to record for this assignment.  The first student I graded chose the Robert Frost poem, “The Road Not Taken,” and he did a great job recording himself reading it.  As I began listening to it, unaware of what it was at first, I noticed that it sounded strangely familiar. Coincidentally, a few months prior, one of my piano…
Read More
“Rather Be With You” featuring Samantha Kenny

“Rather Be With You” featuring Samantha Kenny

Barry's Projects, Blog
It must have been late December or early January this year when I received a text message from Samantha Kenny, one of my former students at Guitar Center Studios (Danbury, CT), where I taught piano, guitar and bass (and got amazing discounts!) from 2012-2018. Samantha stopped taking piano lessons with me after graduating high school and becoming a student at The New School in New York City. It was great to see her again when she came to hear me perform some unusual, experimental music in Brooklyn with Audible Abstraction in September 2017.Anyway, as I was preparing my syllabi and course content for the Spring 2019 semester at Hostos Community College (Bronx, NY), Samantha reached out to say hello and let me know she was around if I needed help…
Read More
“Two Minute Catharsis” by Barry Hartglass

“Two Minute Catharsis” by Barry Hartglass

Barry's Projects, Blog
"Two Minute Catharsis" is an exploration of how "outside" notes can fit naturally "into" a jazz composition. The listener, even without a formal understanding of jazz, should feel which phrases don’t fit in, and experience a renewed sense of balance when the harmonies return to stability. The saxophone “sings” a melody in haiku form.Keep reading for the original blog.Full story:Two Minute Catharsis is a composition for Soprano Saxophone and Omnisphere drone.The drone consists of two sounds from Spectrasonics Omnisphere 2: Dawning and Distant Dreams. I simply held a C for around two minutes. These sounds have more than one note though; an ethereal, suspended chord sounds from them.The melodies are mostly in the C aeolian mode and since the soprano sax is a Bb instrument I had to play in D…
Read More
“Resurgence (for Orchestra)” by Barry Hartglass

“Resurgence (for Orchestra)” by Barry Hartglass

Barry's Projects, Blog
“Resurgence” is a ten-minute master’s thesis compiled from a long list of unfinished ideas. Over the years, themes stacked up inspired by everyday events like a cat visiting, and running away. This post-tonal piece is currently a MIDI realization, and includes a score to follow along, if the listener chooses. Score: Resurgence (for Orchestra) Keep reading for the original blog. Full story: Twenty five years after I graduated from the University of Miami with a Bachelor of Music in Music Engineering Technology, I decided it was time for another degree! In 2013, I started Graduate Studies in Composition at CUNY Hunter College and received a Master of Arts in Music (composition) in 2015. This was something I always wanted to do since graduating from University of Miami, but first I…
Read More
"Vudu" by Batik

"Vudu" by Batik

Barry's Projects, Blog
Batik is an eclectic jazz/world/fusion group featuring Dave Anthony, Tom Nazziola, Tim Ouimette, John Roggie and Barry Hartglass. “Vudu” features udu fills throughout the recording. This piece is an example of modal jazz, with six modes that repeat throughout, a 7/4 time signature and a very mysterious mood. "Vudu" was composed by Barry Hartglass.Keep reading for the original blog.Full story:The sixth track on my SoundCloud Playlist is "Vudu" by Batik.As mentioned in my last blog about John Roggie's "Lizarb," Batik is an eclectic jazz/world/fusion group featuring Dave Anthony, Tom Nazziola, Tim Ouimette, John Roggie and myself.  "Vudu" was composed by me, and is the title track on Batik's debut CD, "Vudu" released in 2009. "Vudu" is spelled the way it is, instead of "Voodoo," because my original intention was to…
Read More